Following his return to Italy in 1948 Fontana exhibited his first Ambiente spaziale a luce nera (Spatial Environment) (1949) at the Galleria del Naviglio in Milan, a temporary installation consisting of a giant amoeba-like shape suspended in the void in a darkened room and lit by neon light. From Wikipedia, the free encyclopedia Lucio Fontana (Italian: [ˈluːtʃo fonˈtaːna]; 19 February 1899 – 7 September 1968) was an Argentine-Italian painter, sculptor and theorist. II, Milan 2006, p. 659, no. In Milan, he collaborated with noted Milanese architects to decorate several new buildings that were part of the effort to reconstruct the city after the war. In 1935 he joined the association Abstraction-Création in Paris and from 1936 to 1949 made expressionnist sculptures in ceramic and bronze. In 1940 he returned to Argentina. In 1961, a solo exhibition by Argentine-Italian artist Lucio Fontana met with a scathing critical response from New York art critics. It was there where he presented his first exhibition in 1930, organized by the Milano art gallery Il Milione. Represented by industry leading galleries. 2016 - Explorez le tableau « Lucio Fontana » de Archive - Arts Visuels, auquel 468 utilisateurs de Pinterest sont abonnés. In the text, which Fontana did not sign but to which he actively contributed, he began to formulate the theories that he was to expand as Spazialismo, or Spatialism, in five manifestos from 1947 to 1952. In addition, in Concetto spaziale, Attesa, 1964, Lucio Fontana introduces the question of visual purity in a work of art. Lucio Fontana (Italian: [ˈluːtʃo fonˈtaːna]; 19 February 1899 – 7 September 1968) was an Italian painter, sculptor and theorist of Argentine birth. He was mostly known as the founder of Spatialism. Lucio Fontana's career was largely influenced by the spatial concept Lucio Fontana - Concept Spatiale (detail), 1958. The movement (Movimento Spaziale – spacialist movement, or spacialism) was launched in 1947 after Lucio Fontana’s return to Italy from Argentina with the first Manifiesto Spaziale (spatialist manifesto). Courtesy of Robilant & Voena. During the following decade he journeyed Italy and France, working with abstract and expressionist painters. Lucio Fontana (Italian: [ˈluːtʃo fonˈtaːna]; 19 February 1899 – 7 September 1968) was an Argentine-Italian painter, sculptor and theorist. Lucio Fontana (Argentine/Italian, 1899–1968) was born in Argentina, but moved to Milan when he was a young child. In 1939, he joined the Corrente, a Milan group of expressionist artists. On space. These can be divided into broad categories: the Buchi (‘holes’), beginning in 1949, and the Tagli (‘slashes’), which he instituted in the mid-1950s. Throughout his prolific career, Lucio Fontana demonstrated a relentless interest in the relationship between surface and dimensionality. Throughout his prolific career, Lucio Fontana demonstrated a relentless interest in… The movement focused on the spatial qualities of sculpture and paintings with the goal of breaking through the two-dimensionality of the traditional picture plane. Wikidata Q312392 Fontana recalls the art of earlier civilizations and introduces elements of modern art in this work, harkening back to Ancient Greek black-figure pottery in both style and name while playing with the multiple perspectives that fascinated modern abstract artists, such as the Cubists and Futurists. In 1959 Fontana exhibited cut-off paintings with multiple combinable elements (he named the sets quanta), and began Nature, a series of sculptures made by cutting a gash across a sphere of terracotta clay, which he subsequently cast in bronze. With his Pietre (stones) series, begun in 1952, Fontana fused the sculptural with painting by encrusting the surfaces of his canvases with heavy impasto and colored glass. Free shipping on many items | Browse your favorite brands | affordable prices. Lucio Fontana Concetto spaziale, Attese, 1960 water-based paint on canvas 49 1/4 x 39 3/8 inches (125 x 100 cm) SW 99252 Collection of the Museum of Fine Arts Houston Get the best deals on Lucio Fontana Art Prints when you shop the largest online selection at eBay.com. His contributions On his later works, Fontana notes "art dies but is saved by the gesture." Check out our lucio fontana art selection for the very best in unique or custom, handmade pieces from our shops. By ripping through his canvases, Lucio Fontana changed what a painting could be, and the course of art history. As he entered his final years, Fontana’s use of pure white on his canvases became more and more frequent, a final effort to achieve a sense of the perfectly unblemished canvas. He was born in Argentina in 1899 to a father who sculpted and who first taught Lucio the basics of his craft. Find the latest shows, biography, and artworks for sale by Lucio Fontana. He is mostly known as the founder of Spatialism. 4 févr. Lucio Fontana One of the most innovative artists of the twentieth century, Argentine-Italian artist Lucio Fontana (1899–1968) continually challenged the boundaries of art making and the role of the artist, using a rich vocabulary of material, form, and action. Already in 1926, he participated in the first exhibition of Nexus, a group of young Argentine artists working in Rosario de Santa Fé. (Lucio Fontana 1899-1968: A Retrospective, exhibition catalogue, Solomon R. Guggenheim Museum, New York 1977, p.19) In 1977 his first retrospective was exhibited at the Solomon R. Guggenheim Museum. Limited-Edition Prints by Leading Artists, Concetto Spaziale (from XXe Siecle), 1975, Concetto Spaziale (from XXe Siecle), 1959, Southern Cone (Argentina, Chile, Paraguay, Uruguay). Lucio Fontana’s oeuvre is more than just visually alluring and thought-provoking, it brought about a movement that changed the perspective on art … Discover works for sale, auction results, market data, news and exhibitions on MutualArt. He is mostly known as the founder of Spatialism. Fontana’s rupture of the surface of painting has had a widespread impact on generations of artists in exploring the dynamics of how painting can incorporate space and the real, physical elements of life. In his Buchi (holes) cycle, begun in 1949-50, he punctured the surface of his canvases, breaking the membrane of two-dimensionality in order to highlight the space behind the picture. Lucio Fontana, Concetto Spaziale (1957). Fontana formulated the theory of Spatialism in a series of manifestos dating from the late 1940s to early 1950s, proposing that matter should be infiltrated by energy in order to generate dimensional, dynamic artistic forms. Born in Rosario, province of Santa Fe, Argentina to Italian immigrant parents, he was the son of the sculptor Luigi Fontana (1865 — 1946). Fontana had found his studio and works completely destroyed in the Allied bombings of Milan, but soon also resumed his ceramics works in Albisola. He is mostly known as the founder of Spatialism. He was mostly known as the founder of Spatialism. In this, and in the several more that followed, Fontana developed the ideas of the Manifiesto Blanco issued at the Altamira Academy in Buenos Aires the year before. In Buenos Aires (1946) he founded the Altamira academy together with some of his students, and made public the White Manifesto, where it is stated that "Matter, colour and sound in motion are the phenomena whose simultaneous development makes up the new art". From 1949 on he started the so-called Spatial Concept or slash series, consisting in holes or slashes on the surface of monochrome paintings, drawing a sign of what he named "an art for the Space Age". In 1927 Fontana returned to Italy and studied under the sculptor Adolfo Wildt, at Accademia di Brera from 1928 to 1930. Lucio Fontana and Multi-Disciplinary Art It is a historical glitch that Lucio Fontana is mostly referred to as a painter. He was mostly known as the founder of Spatialism … As Fontana noted in his Manifesto Blanco, ‘art continues to develop itself in the direction of movement the evolution of man is a march towards movement developed in time and space’ (L. Fontana, Manifesto Blanco, 1946, in R. Fuchs, Lucio Fontana: la cultura dell’occhio, exh. The Art of Lucio Fontana From 1949, Lucio Fontana started his Spatial Concept or slash series, a collection of works comprised of holes and slashes on the surface of monochrome paintings. This is a part of the Wikipedia article used under the Creative Commons Attribution-Sharealike 3.0 Unported License (CC-BY-SA). After graduating in 1930, Fontana held his first solo exhibition at the Milan gallery Il Milione and spent the following decade working in Italy and France, both on his own work and in collaboration with other artists. Wikipedia article References Lucio Fontana (Italian: [ˈluːtʃo fonˈtaːna]; 19 February 1899 – 7 September 1968) was an Italian painter, sculptor and theorist of Argentine birth. Fontana formulated the theory of Spatialism in a series of manifestos dating from the late 1940s to early 1950s, proposing that matter should be infiltrated by energy … He then created an elaborate neon ceiling called "Luce spaziale" in 1951 for the Triennale in Milan. Photo credits wikiart.org More Than Rich Career. He is mostly known as the founder of Spatialism. Lucio Fontanawas an Argentine-Italian artist known as the founder of Spatialism. 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